Power Vacuums, Power Tools, The Void
Thursday,
16th March 2020
The power vacuum created by Boris Johnson’s illness
and now recovery from Covid-19 is matched in some way here in our house. None of
us is ill but in this strange twilight zone, where we are all neither at school
nor at work but still studying and still working, the usual systems of parenting
have broken down.
Nature might love a vacuum but in the absence of any meaningful
routine, and with time filling the house like an invisible flood, rising higher
and higher, things seem to be fraying at the edges. When we all had a routine
of school and work, I knew what I was expected to do as a parent: make vague noises
about homework being completed, pretend that hard work is the answer to everything,
hide my addiction to alcohol.
I think the kids knew what was expected of them, too:
make vague noises about having done their homework, pretend that they were
working hard, hide their addiction to alcohol/skunk. But lockdown has blown the
whole charade wide open. Teachers aren’t really teaching, most of us aren’t
really working, and death is the bogeyman, the fucking enormous elephant in the
room which renders all activities meaningless.
Now, the Screenager might have got the rather raw end
of my blogging attention lately but that is mainly because he is very visible
in his inactions. When he finally rises from his bed, wearing an expression
somewhere between confused and afraid, he will head straight for the sofa, grab
the iPad and PS4 controller and pick up where he left off yesterday. He will
spurn food and drink until nagged into the kitchen, iPad still clutched in his
grimy paws, where he will eat a bowl of cereal filled to the brim before returning
to the sofa, establishing his routine for the day: Screens, Food + Screens,
Screens, Screens + Foods, Screens, Bed.
What do these kids dream of? I imagine the Screenager’s
unconscious being a strange melange of American football players and Central Perk.
Unfortunately, to deal with this in-your-face lethargy, my new parenting style
seems to fall under the umbrella term ‘Heavy Sarcasm’ (liberally deployed). I
know I am annoying but I just find it incredibly infuriating to be almost 50
years old and to have more energy and enthusiasm than my teenage children. I am
sure it doesn’t help the Screenager when I knock on his door at the ungodly
hour of 11am, as happened yesterday, to see if the beast can be woken before
midday. I waltz in to stand by his bed with my arms wide.
ME: Behold, it is I, your father, come to rouse you
from your slumber.
HIM: ….
ME: Your hero has arrived to greet you on this fine
day.
HIM: Go away. Shut the door.
ME: But it is I. Behold me standing here.
HIM: Go away! You’re so annoying.
ME: Alright, it’s eleven o’clock.
HIM: Why did you wake me? Shut the door.
The Screenager will not now talk to me at all for this
heinous crime. By about dinner time, he will acknowledge my existence by
calling me ‘Fat tits,’ whenever I dare to cross the space between him and the
PS4. I call this progress.
Occasionally, my wife or I will attempt to pin The
Angry Moustache down to a vague promise of the one physical activity he is willing
to attempt that day. We have worked out that there is a window of opportunity between
3 and 5pm when this is most likely to come to fruition. In Screenager time,
this is just after lunch but before the really big meal. It still takes a good
deal of encouragement/sarcasm.
ME: Come on, you big whale. Let’s see if you can beat your
hero – me – on the rugby pitch.
HIM: You’re not my hero. Manu Tuilagi* is.
ME: But after him, it’s me, right?
HIM: No, it goes Manu Tuilagi, everyone else in the
world, then all the animals, then all the non-living organisms-
ME: By definition, an organism is a living thing-
HIM: Alright, all the animals, then every inanimate object,
then you.
ME: But I’m on the hero list, just near the bottom.
HIM: At the bottom. Beneath toenails.
(*Manu Tuilagi is a Leicester and England rugby player,
a kind of smiling ball of Samoan destruction)
Now that I have distracted him, with an actual conversation
with a living organism, he will usually go upstairs to get dressed, carrying
the iPad at his breast in case it needs feeding. Half an hour later he will
return, sometimes with socks, often without, sometimes wearing clothes matching
the actual weather conditions, but often not because he hasn’t lifted his eyes
over the top of the iPad to see what is happening in that place his parents refer
to as ‘outside.’
Today, some 70mm wood screws arrived in the post which
meant pallet furniture building work could resume in the garden. At 3pm, he
agrees to such work in principle (this may be because he has finished all 236
episodes of Friends). At 3:45, work begins. This is because there is always a
lacuna in lockdown between something being agreed in principle by a teenager
and it actually taking place.
Down the end of the garden, there is a brief, scary
but enthusiastic series of moments when he discovers power tools – a drill, a
saw – but treats them like weapons, waving them around in the air with a
strange smile and pulling the triggers to make the noisy, sharp bits go round
and round. He is less enthused when I explain how the tools plus him might
actually combine to make something useful happen.
At 5pm, the Screenager clocks off. In an hour and a
bit, he has drilled exactly three and a half holes, cut through one piece of
wood, and joined two bits of wood together using the wood screws. In between
these violent bursts of activity, he has bounced up and down on a length of 2
by 4, disappeared for a poo, deadlifted some of the railway sleepers and done
some weird dancing. It is hard to ignore the fact that, alone, I would get a
lot more done but lockdown parenting (here, at least) seems to consist of
setting low targets and then trying to be astonished when they are met. If it
was Reception class in primary school, he would get a sticker but all I’ve got
is sarcasm.
‘Great work, today, Noah. Same time tomorrow.’
Anyway, Teen 1, or Cine-Teen, gets a lot less abuse.
One, because he is nearly an adult and two because he hides in his bedroom.
When he was still at college, he managed his time effectively without any input
from us, keeping up with his studies, having an amazing social life (in that aspirational
Atlanta rapper way of life they aspire to: smoking blunts and drinking lean),
and doing his part-time job.
Now, in lockdown, what he is actually doing is probably not a lot different to the Screenager. When pressed, and feeling defensive,
he brings out his language ‘study’ which is five minutes on Duolingo. The rest
of the time is vague and unaccounted for. I know that he hasn’t finished The
Magus by John Fowles, one of my all-time favourite books, even though he has
been reading it for a year. This is a child who we could barely keep in books
during his childhood. He literally devoured them. This seemed to peter out as
adolescence went on and almost came to a complete stop when he began his
English ‘A’ level. I suppose, things are so post-modern, now, that texts are
all a bit last millennium and language is deconstructed into emojis and rappers
using symbols in their names.
With endless amounts of time, he watches Netflix documentaries
or drama series which he can then discuss in great detail and aren’t very different
to what I watch but still the hours go by and no end product is visible. In desperation,
I suggest we look for a camera to buy so he can film some of the pandemic
lockdown. Two weeks later, and despite reminders every day, he has still not
managed to find a moment when we can sit down and find a camera he wants.
But what I am vaguely circling around is trying to determine
what actual part I am playing in their lives right now. With the Cine-Teen, I
have established a weekly routine of a screenplay challenge whereby we pick
three Tarot cards from the major arcana then roll a dice to determine which of
6 nominated abstract nouns (hope, joy, loss, despair etc) is the theme. Using
the Tarot cards as characters we then write a 500-word screenplay and share
them with each other. Like any father-son activity, it is not meant to be competitive
but of course ends up that way. I consider myself a writer and a veteran of the
world and scorn his inner life as inferior to mine. Unfortunately, he has watched
a lot of films, studied film to A level standard and writes to a very high standard.
What is odd, like with my urging Screenager to
humiliate me with chess boxing or rugby, is that I have to instigate these
activities and then oversee their completion. Yesterday, I took the brave step
of knocking on the door of Cine-Teen to see if he wanted to pick the three
cards and roll the dice to get the new challenge started for this week. Admittedly,
I caught him on the hop, sat on his bed with his laptop open at about midday.
ME: Do you want to start the next screenplay and pick
the cards?
HIM: (Pulling a face like I’ve just shat in the corner
of his room) Can we do it on Thursday?
ME: Well, I thought if we did it now, we could mull it
over for a couple of days before starting.
HIM: Can we just wait until Thursday when I’m not
working?
ME: Alright, if you’re too busy…
Boom! Sarcasm deployed and I can back out of his room
with this most shallow of victories. I am the USA and he is Iraq.
Some of us are coping with lockdown and some of us are
not. Personally, I like the lack of pressure from work and the general easing
back from the daily grind but the overall air of life on hold creates a weird
mindset. If we knew we were going to die tomorrow, today would be pretty vivid
and packed with meaningful engagement with the world. Now the possibility that
we will all die tomorrow has, instead, resulted in an awful kind of stasis.
The future is such an empty place, a kind of black hole, that our intentions seem to be sucked into the void.
What, as the Screenager said recently, is the point?
For once, I had no answer.
Latest data for the UK (as of 9pm):
Infected: 103,093
Deaths: 13,729
Celebrity Deaths: 3
People I know who are infected: Back to zero (the Icke is the Messiah!)
Song of the Day: ‘Reasons to be Cheerful’ – Ian Dury
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